Wikipedia and Creative Commons

From: Larry Lessig’s blog :

http://lessig.org/blog/2007/12/some_important_news_from_wikip.html

As Jimmy announces, the Wikimedia Foundation Board has agreed with a proposal made by the Free Software Foundation that will permit Wikipedia (and other such wikis) to relicense under a Creative Commons Attribution-ShareAlike license.

That is very different from saying that Wikipedia has relicensed under a CC license. The decision whether to take advantage of this freedom granted by the FSF when the FSF grants it will be a decision the Wikipedia community will have to make. We are very hopeful that the community will ratify this move to compatible freedoms. And if they do, we are looking forward to an extraordinary celebration.

Read the Wikimedia Foundation resolution here.

The video is available, from Sylvain who was at the party:

http://digg.com/tech_deals/Wikipedia_will_be_licensed_under_Creative_Commons

Creative Commons einfach erklärt

Die vier Teile der Reihe Creative Commons einfach erklärt von Advisign sind jetzt komplett und ein guter Einstieg in die Materie.

  • Teil 1 – Sinn und Zweck von Creative Commons
  • Teil 2 – Wie funktioniert eine Creative Commons – Lizenz?
  • Teil 3 – Eigene Creative Commons-Lizenz erstellen
  • Teil 4 – Vorteile, Gefahren & weiterführende Links

Link zu Teil eins

CC Launch documentation online from 15th October 2007

Presentation videos are all online now (thanks to Bruno of flash007)

Creative Commons Luxembourg Launch

CRP Tudor, Boulevard John F Kennedy, 29, Kirchberg, 15th October 2007

Google Maps link, Directions to the JFK29 building: link (pdf)

Programme

– Creative Commons, l’expérience au Luxembourg (Patrick Peiffer, président Luxcommons asbl)

link to video

– Les licences ouvertes: culture et économie (John Buckmann, Board member Creative Commons, Founder Magnatune et Bookmooch)

link to video, presentation at Slideshare

– Creative Commons et héritage culturel: bibliothèques (Lionel Maurel, coordinateur scientifique, portail de numérisation Gallica, Bibliothèque nationale de France)

link to video, also: his excellent article on CC and libraries, as pdf.

– Jamendo, ouvrez grand vos oreilles : Une startup Technoport basée sur Creative Commons (Laurent Kratz, Founder Jamendo)

link to video, also check out Jamendo’s blog.

– Sociétés de Gestion Collective et CC: “The CC-NL & Buma-Stemra pilot project in the Netherlands” (Paul Keller, Project Lead CC-Netherlands)

link to video, also check here for CC-Buma Pilot explanation.

Some materials we used: A3 poster.

CC-Luxembourg launch tomorrow!

(This press release attached as PDF: CC-Luxembourg PR 20071014)

LUXEMBOURG 40th JURISDICTION TO OFFER PORTED CREATIVE COMMONS LICENSES

San Francisco, CA, USA and Luxembourg, Luxembourg — October 15, 2007

The launch of the Creative Commons licensing suite today in Luxembourg

marks the 40th jurisdiction worldwide to offer Creative Commons

licenses adapted to national law. Creative Commons worked in

collaboration with Luxcommons ASBL, a local non-profit for researching

and developing Open Content headed by Patrick Peiffer, to

linguistically and legally port the licenses to Luxembourgish law.

An event to commemorate the launch will be held today at the Public

Research Center Henri Tudor (CRP) in Luxembourg, featuring speeches by

John Buckman, founder and CEO of Magnatune.com and Board Member of

Creative Commons, and Paul Keller, Project Lead for Creative Commons

Netherlands.

The ceremony will also include a presentation by Laurent Kratz,

founder Luxembourg’s Jamendo, one of the largest music portals

offering Creative Commons-licensed works, and Lionel Maurel,

scientific coordinator from the National Library of France.

The Creative Commons licenses were “the first instrument of choice” in

Luxcommons’ efforts to lead innovation in intellectual property and

promote Open Content in their region and around the world. The

licenses, available free of charge at http://creativecommons.org,

allow authors and artists to mark their works as free to copy or

transform under certain conditions, and thereby enable others to

access a growing pool of raw materials without legal friction.

About Luxcommons

The non-profit Luxcommons was founded in 2005 with the goals of

promoting, researching, and developing of Open Content. Thanks to

funding from “2007, Luxembourg and Greater Region, Cultural Capital of

Europe,” the National Cultural Fund and with the Support of the

Technoport Incubator (an initiative of the Henri Tudor Research

Center), Luxcommons was able to start transposing the CC 3.0 License

to the Luxembourg jurisdiction. For the future, a stronger linking of

similar initiatives in the Greater Region and stronger tie-ins with

institutional partners is sought to keep the Luxembourgish CC project

on stable footing. For more information about Luxcommons, please visit

their website http://www.luxcommons.lu/.

About Creative Commons

Creative Commons is a not-for-profit organization, founded in 2001,

that promotes the creative re-use of intellectual and artistic works,

whether owned or in the public domain. Through its free copyright

licenses, Creative Commons offers authors, artists, scientists, and

educators the choice of a flexible range of protections and freedoms

that build upon the “all rights reserved” concept of traditional

copyright to enable a voluntary “some rights reserved” approach.

Creative Commons is sustained by the generous support of organizations

including the John D. and Catherine T. MacArthur Foundation, Omidyar

Network, the Hewlett Foundation, and the Rockefeller Foundation, as

well as members of the public. For more information about Creative

Commons, visit http://creativecommons.org.

Contact

Dr. Catharina Maracke

International Coordinator

Creative Commons International, Creative Commons

catharina@creativecommons.org

+49.30.280.93.909

Press Kit

http://creativecommons.org/presskit

http://creativecommons.org/international/lu/

Erste CC-Verlagspublikation in Deutschland

Von Cory Doctorow war hier schon des Öfteren die Rede. Dass er seine Romane stets unter einer CC-Lizenz veröffentlicht ist wohl bekannt – dass allerdings Random House – Heyne – jetzt die deutsche Übersetzung seines Erstlings, Backup, als CC-lizenzierten Download ins Internet stellt – das kommt dann doch etwas überraschend.

Es wird interessant sein die Verkaufszahlen des Romans zu beobachten und zu schauen ob diese Vertriebsform nun tatsächlich die Zahlen senkt oder eher hebt. Laut Corys Aussagen ist sein Verlag sehr zufrieden mit den Verkaufszahlen der englischen Printausgaben…

Download des Buches und die Verlagsmitteilung hier.

(Found via NETBIB newsletter)



	

Utilisateurs CC au Luxembourg

A couple of weeks from the CC Luxembourg launch conference, here’s a small selection of prominent sites that use Creative Commons licences in Luxembourg.

Art/Audio/Video community project to document the Cultural Capital with online remixing: www.flash007.lu

Almost a global player, the notorious Jamendo music site:

www.jamendo.com

Beautiful photographs from the “Our” nature parc in Luxembourg:

www.our-photo.lu

Cultural Heritage, digitised print from the National Library:

www.luxemburgensia.bnl.lu

Example: A-Z illustrated magazine 1934

The city of Luxembourg, using CC for their website

www.vdl.lu

“Family of Man 2007” youth project: Photo contest/exhibition and book

www.foma2007.org

If you know others that should be included in this list, please drop an email to patrick DOT luxcommons AT gmail DOT com. I’m sure there’s more, a Google search for the phrase “creative commons” in the Luxembourg web gives nearly 2 million hits!

And if you haven’t registered yet for the launch conference on the 15th October, please do so: www.sitec.lu/conference

(please not: all presentations will be in French!)

Documentaire “Good Copy, Bad Copy”

Un documentaire réalisé par by Andreas Johnsen, Ralf Christensen et Henrik Moltke, sur le droit d’auteur et la culture, et leurs interdépendances souvent complexes. Interviews avec Jane Peterer (Bridgeport Music), Danger Mouse, Girl Talk, Siva Vaidhyanathan, Lawrence Lessig, etc.

Le trailer est disponible ici (via blip.tv) ou en cliquant l’image ci-dessous. Vous pouvez regarder ou télécharger le film en entier sur goodcopybadcopy.net. Enjoy.

Unlocking the Potential through Creative Commons

Jessica Coates from the CCi mailinglist:

I am very pleased to announce the release of a new report by the Australian Research Council Centre of Excellence for Creative Industries and Innovation (CCi) and Creative Commons Australia – Unlocking the Potential Through Creative Commons: An Industry Engagement and Action Agenda.

This report draws upon the CCau Industry Forum, a research-focused industry engagement event hosted by CCi in November 2006. The event was designed to follow up a recommendation in the Australian Government’s 2005 Digital Content Action Agenda report that the industry should “engage with work occurring in the area of alternative approaches to intellectual property licensing, such as Creative Commons”. Focusing on the government, education and the creative industries sectors, the Forum aimed to evaluate understanding of and attitudes towards copyright, open content licensing (OCL) and the Creative Commons initiative within Australia.

The Unlocking the Potential Through Creative Commons report evaluates and responds to the outcomes of this Forum and presents a strategy for continued research into Creative Commons in Australia. Full copies of the report can be downloaded here.

Der zweite Korb – Enfin!

En discussion depuis septembre 2003, voici la version 2.0 de la loi sur les droits d’auteurs allemande, commentée par le magazine c’t allemand. Notamment, il y a de nouvelles restrictions pour les bibliothèques et l’information scientifique. Pour ces domaines essentielles pour l’innovation et le progrès le droit d’auteur revient maintenant à ce que des commentateurs ont appelé: “Obligation d’utiliser des chevaux pour tirer les Ferrari”.

CISAC Copyright summit presentations

The CISAC (Umbrella organisation for music collecting societies) put up speeches, audio and video of their first Copyright Summit, held in Brussels on the 30-31st May. (For video, this link is best). A pretty good overview of an industry in transition.

Some choice bits:

BT CEO Ben Verwaayen (video)

He pleads that Collecting Societies represent a great industry, of which everyone wants to be part of. They should be afraid of this, as others want in and those will innovate, while CSs still hold onto their one-size-fits-them-all established model. If CSs can include “open, global and real-time” they’ll succeed, if not, they’ll be the masters of an ever shrinking world. (Note: CS believe that Telcos only want CS reform and competition to get their hands on cheaper content)

Debate: Creative Commons’ Larry Lessig and Bret Cottle (video)

Larry (as a representative of “open, global and real-time”) argues that CSs should open to more flexible models and recognize that there are models outside the commercial on. Cottle refutes on mostly philosophical grounds. (Ironically, this debate was available just one day after the conference on google video).